*Before the Fall* Finally Gets the Revival It Earned
Before the Fall is the best musical most people under forty have never heard, and Domenica Vásquez's production at the Hargrove Theatre is the reason it finally gets to fix that.
Our critics' full verdicts on Broadway and Off-Broadway productions — star ratings, sharp takes, and honest calls on what's worth your money, from the orchestra to the Gods.
Before the Fall is the best musical most people under forty have never heard, and Domenica Vásquez's production at the Hargrove Theatre is the reason it finally gets to fix that.
The Calloway is on fire right now, and most of that fire has a name: Esmeralda Voss.
Carry Me Quiet gets one thing exactly right and nearly ruins it trying to get everything else right too.
"North Wind" is a better musical than its first act deserves to be, and I say that with genuine respect for what Cressida Maye and Theo Ladd have built here.
Carmen Delgado on 'The Counterfeit Crown': a standing ovation the show earns, but doesn't fully deserve — and why that distinction is worth sitting with.
The Distance Home is the real thing — a Broadway musical with something to say and the craft to say it.
The Glittering Dark is a near-great musical carrying a genuinely great performance, and that gap is what I want to talk about.
Carmen Delgado on Rafaela Moreno's second-act turn in 'Longitude' — the best Broadway performance she's seen since the revival of Crescent House.
Carmen Delgado on 'Runaground,' the real thing: a thundering new Bronx musical that earns its transfer to the Pemberton — no reservations, no asterisks.
"The Cartographer's Wife" is a great musical trapped inside an adequate one, and the adequate one runs for about ninety minutes before the great one shows up.
I’ve seen "El Jardín de las Mariposas," the new musical by Jorge Velásquez, twice now.
Theater has long been an adult game, but with the arrival of "Growing Pains," written by debut playwright Aarushi Patel, there's a new force stepping onto the Off-Broadway stage.
Carmen Delgado on Marisol Vega's revival of 'Echoes of Yesterday' at the Regent Theatre — a production that doesn't just recreate a classic score, it reinvents it.
Carmen Delgado reviews the fictional Harlow Theater Company revival of A Doll's House, a bold reimagining that gets the big moments right and fumbles a few crucial ones.